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Remedy used film-sights to draw fictional parallels between Max’s personal life in Max Payne 2. From lore and fanservice viewpoint, making Sam Lakes model for Max Payne, as originally conceived, must be a not-debatable affair. The second game has a changed face, modeled after Timothy Gibbs, and according to the legends, the change in character model will reflect how Max will react. Fun fact: Nicole Horne, who was named after her mother in the first game, was named after Sam Lakes. The team actually put together a comic panel for the first match. Much like comic books, this decision was due to the lack of funds for Remedy.

Many fans of the games might realize that Max Paynes is built after Sam Lake, the leading writer of most of Remedys games. Sam Lakes is the original model of the game.

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In order to update these panels with high-resolution images, and maybe some post-processing, that would have great value, but don’t completely replace them with in-engine cutscenes. Since the decision to go with comic panels rather than in-engine cutscenes was partly driven by budget constraints, this has now turned into a unique experience so much so that its absence is genuinely felt in Max Payne 3. The comic-panels are easily the most recognised aspect of Remedy’s breakout success and are one of the most unique way games have told stories in the last two decades.

Let’s get all that obvious in the first place. The back of the Comic Panels was a reload of the boxed. The three Remakes are in the past 10 things that Max Payne absolutely needed. With anticipation, there’s always anticipation. In light of the massive popularity of this IP, it seems fair to assume that more than a few fans are waiting to watch this remake barely. Remedy recently announced it’d be developing full-fledged remakes of Max Payne 1 and Max Payne 2 in partnership with Rockstar Games.